The new Impressionists Immersive Exhibition surrounds visitors with light, music and more than a thousand moving masterpieces ...
Few exhibitions have been more mythologized than the one that opened in a Parisian photography studio on April 15, 1874. There, over the course of a month, the trajectory of art was altered, launching ...
One of the most arresting works in the new Impressionism show at the National Gallery of Art isn’t by an impressionist. It’s Antonin Mercié’s Gloria Victis, a resplendent bronze modeled after one from ...
More than 150 years after the first Impressionist exhibition in Paris, the Art Gallery of South Australia and Geelong Gallery ...
Pierre-Auguste Renoir, "Oarsmen at Chatou." (From "Impressionists on the Water" at the Peabody Essex Museum) A couple, dressed in what you might call their Sunday-outing best, stand on the grassy bank ...
WE all talk a great deal about influences, in relation to both the artists who give and those who receive them; tabulating them adds a cozy sense of continuity to the rather chaotic history of art.
Edgar Degas, "Dancers on a Bench" (c. 1898), pastel on tracing paper; lent by Glasgow Life (Glasgow Museums) on behalf of Glasgow City Council (photo © CSG CIC ...
Colour is the defining element of Impressionism. Early on some referred to the group as the Colourists; driven by a desire to paint what they saw, their obsessions were colour and light. A new ...
French Impressionists at Eclipso. Photo Courtesy of Excurio. On Saturday, January 25th, this journalist had the chance to visit the “Tonight with the Impressionists — Paris 1874” virtual reality ...
Impressionism used to be discussed as a movement that turned its back on high art’s traditional subjects in order to give more attention to other matters. The Impressionists’ themes, landscape, still ...
On my way to see "Impressionists on the Water," which opens Saturday at the Legion of Honor, I began to wonder about Impressionism fatigue. Might this be the exhibition that finally demagnetizes the ...