Exclusive: After the since-paused Metrograph Pictures released rights to the movie back to its sales company, Film Movement ...

"Our generation is hopeless.... What are you laughing about?" Film Movement has debuted the official US trailer for an indie ...

In near-future Tokyo, the threat of a catastrophic quake looms. Two friends prank their principal before graduation, leading ...

Film Movement has shared a poster and trailer for writer-director Neo Sora’s Japanese dystopian sci-fi drama Happyend. Set in ...

‘Happyend’ Review: Neo Sora’s Fiction Feature Debut Is a Poetic Portrait of Youth in Crisis TIFF 2024: The kids are more than alright – though their world is not in this incisive film ...

Happyend, Neo Sora, Venice Film Festival ‘Happyend’ Review: Friendship Isn’t Future-Proof in a Poignant Surveillance-State Allegory Reviewed at The Hazelton Hotel Screening Room, Toronto.

Happyend is Sora’s first fictional feature but he was in Venice last year with the documentary, Opus, which captured the final performance of his late father, Japanese musical icon Ryuichi Sakamoto.

Happyend is produced by Albert Tholen and Aiko Masubuchi from Zakkubalan, Eric Nyari from Cineric Creative, Alex C. Lo from Cinema Inutile and Anthony Chen from Giraffe Pictures.

“Happyend” is nominated in the best new director and best newcomer (Kurihara) categories at this year’s Asian Film Awards, with winners to be announced Sunday night in Hong Kong.

Happyend is Sora’s first fictional feature but he was in Venice last year with the documentary, Opus, which captured the final performance of his late father, Japanese musical icon Ryuichi Sakamoto.

“Ah man, I could talk about it forever.” It is the day after Happyend ’s Venice premiere and director Neo Sora is holding court for a parade of journos in the ballroom of an Art Nouveau hotel on the ...