Credit: NEON Koepp expanded on this: "In the last 10 to 15 years, horror has really been prominent and changed. Gore and jump ...
This article discusses the plot and ending of "Presence," now playing in theaters. As with many ghost stories, the presence ...
In 1989, both Steven Soderbergh and "Presence" screenwriter David Koepp had movies at the Sundance Film Festival. While the ...
Campfire tales of spectres, spirits, and spooks have been with us since Day One. Certainly, they've proved good fodder for ...
Over Zoom I spoke to Koepp about writing within the confines of the film’s single point-of-view, the value of what’s left out ...
Presence may not be your typical horror movie, but that doesn't mean it won't leave you a bit shaken up.
The actor admits that Soderbergh's unusual way of capturing the film — told from a ghost's point of view — was a challenge to ...
The entire film is shot entirely from the ghost's point of view, the audience haunting a family that has recently moved into ...
Koepp's writing is thorny and cuts deceptively deep, like a scrape that looks like a surface wound until it won’t stop ...
Doing his own camerawork, the director gleefully enriches the haunted-house genre with a simple but ingenious device.
The inventive director embraced POV filmmaking on “Presence,” his haunted-house film shot from the spirit’s perspective.
The writer teams with Steven Soderbergh on this haunting story with a twist: The entire film is shot from the point-of-view ...